‘Children of Kabul’
Documentary film on child labor to screen at RiverRun International Film Festival
Starting at age seven, Wake Forest junior Jawad Wahabzada spent four years working eight hours a day as a child laborer in Afghanistan making Persian rugs in a factory. Though he now lives 7,000 miles from his birth country, his heart is not far from the children of Kabul.
“There are 60,000 school-age children working in Kabul,” says Wahabzada, who is a communication major. “They are forced to work because of war and economic difficulties. They need help.”
Wahabzada wanted to tell the story of these children to raise awareness of the tragedy. “In the news, we hear about Al-Qaeda. We hear about the Taliban. We hear about the international forces,” he says. “We never hear about the real people of Afghanistan, as if they are insignificant and don’t exist.”
Wahabzada discussed his desire to make a film about the plight of child laborers in Afghanistan with Nathan French, the director of the Wake Forest Magnolia Scholars Program. In the summer of 2010, French introduced Wahabzada to Jon Bougher, a 2011 Wake Forest documentary film graduate who was then an MFA candidate in the program, and they made plans to work together.
In June 2011, Wahabzada traveled to Kabul researching issues of child labor and working to identify children for the film. Bougher arrived two weeks later. They filmed for three weeks, producing 30 hours of footage for the 24-minute film, which took two months to edit.
The first public screening of “Children of Kabul,” will be April 14 at RiverRun International Film Festival. The film will also be shown April 20. The documentary follows four Afghan children as they try to provide support for their families.
“The most challenging part of making the film was listening to the heartbreaking stories of the children,” says Wahabzada. “They had hopes of becoming doctors, engineers and professors. I knew they would never get the chance.”
Bougher says Wazabhada’s history in Afghanistan helped them gain their subjects’ trust and also access to areas on the streets that would not have been possible for an American filmmaker alone. “We wanted to provide an on-the-ground, visceral sense of life on the streets of Kabul. It was difficult to film in blacksmith shops and street markets without drawing attention, and we had a couple encounters with Afghan police. That Jawad grew up in Kabul allowed us to more easily negotiate these challenges and gain the access we needed.”
Wahabzada and Bougher are working with MYPART Foundation to raise funds for the children featured in the documentary.